Third biggest week of streaming for a non-R & B / Hip-Hop album: Dangerous is the third biggest week of streaming a non-R & B / hip-hop album, behind only Ariana Grande Thanks, next (307.07 million in its debut week) and Taylor Swift’s Folklore (289.85 million, opening week). In general, Dangerous has the 22nd biggest week of streaming an album.
The biggest week for a country album in over two years: The last country album to have a longer week, by equivalent album units, was Carrie Underwood’s Beautiful cry, which was launched with 266,000 units on the September 19, 2018 table. Dangerous, Beautiful cryThe first week of was driven by sales generated from a concert ticket / album redemption offer. (These offers no longer contribute to sales for Advertising panelgraphics.)
Dangerous also has the ninth longest week of any album, of any genre, by units, in the last 12 months.
Only the 12th country album reached number one on the Billboard 200 in the past five years: Wallen brings a rare insight to the top of the Billboard 200, as Dangerous it is only the 12th country defined to reach the first place since January 2016.
Surprisingly, of the 178 # 1 albums since the January 23, 2016 chart, only 12 were country titles (only 6.7%). These 12 # 1 countries: Jason Aldean’s They do not know (2016); Thomas Rhett’s Life changes, By Shania Twain Now, Kenny Chesney’s Live in No Shoes Nation, Luke Bryan’s What makes it country (2017); Aldean’s Rearview Town, Underwood’s Beautiful cry (2018), Rhett’s Center Point Road, Kane Brown’s To experiment, Luke Combs’ What you see is what you get (2018; the last one had a week as No. 1 in 2018 and 2019); Chesney’s Here and now (2020); and now Wallen’s Dangerous (2021).